This is a taut little thriller that sneaks up on you and rips your
heart out. Sure, its the same old set of jaws as Jaws, but
it has as much to say about love and death as, say, Love
and Death.
In about half the time Woody Allen used to lampoon Tolstoy,
this first time director gets the job done in less than 90 minutes.
Its a simple story told in a straight forward fashion with
the detail and depth in the writing and acting.
A young couple becomes the random victims of chance as little
things lead them along until they are high and dry in the middle
of a hostile ocean. Last minute vacation plans, a mix-up on a
skin diving tour and simple rotten luck are the culprits in this
film.
Within this simple frame, the couples relationship is
played out as it becomes more and more apparent that no one may
rescue them. Supposedly based on a true story, these chain of
events from real life are treated with pathos and irony that
will haunt your imaginiation.
Not quite as heavy as David Mamets script for The
Edge, another man against nature plot, this is a movie
that, once again, proves good writing is the best investment
a filmmaker can make.
No fancy effects, just two people floating around and getting
thirsty. This feature is two old people in trash cans away from
being a Beckett play. Very bleak.
One other film came to mind while I squirmed in my seat. The
Blair Witch Project, whose use of hand-held camera work
in a hostile, natural environment reinvented the horror genre
making naturalism and a nebulous terror the new Frankenstein.
A sequence in Open Water even uses the black screen
effect during a sea storm where the soundtrack becomes the film.
Having said all of that, I think this would be a great date
movie because the couple in the picture learn a lesson about
love and life. It might make dinner a little weird, though, especially
if its a seafood restaurant.